Imogen Cunningham is one of the most accomplished photographers of the 20th Century, and her work is being celebrated in a new portfolio titled “The Eye of Imogen Cunningham”. This portfolio features twenty-five platinum/palladium prints on 16×20 cotton rag paper and is limited to an Edition of no more than fifty sets.

The Eye of Imogen Cunningham Portfolio

In this collection, the works are divided into sections, each illustrating a different period in Cunningham’s photography career. These sections include “Pictorial Prose”, “Modern Vision”, “Undulating Realism”, “Surrealist Encounters”, and “Infinite Light”.

Imogen Cunningham’s Diverse Body of Work

Imogen Cunningham’s portfolio showcases the evolution of her imaginative and artistic approach to photography. From her pictorial portraits in the 1910’s to the dynamic tonality of flora in the 50’s, her work demonstrates the ability of the camera to capture moments that are unseen by the naked eye, a concept that she began to experiment with in her photography.

Timeless Print Quality

It is fitting that the most archival of photographic printing processes, perfected around the time of Imogen’s birth in 1883, is employed in this portfolio to give the physical photographs the timeless print quality that characterizes this body of work.

Gallery 270

Gallery 270 represents distinguished photographers of the 20th Century and the emergent photographers of the 21st Century from around the world. The gallery places particular emphasis on modern emerging photographers employing traditional processes such as platinum/palladium, cyanotype, and gum bichromate, where the hand of the artist is much more intimately engaged.

Imogen Cunningham’s “The Eye of Imogen Cunningham” portfolio offers a unique insight into the evolution of her photography career. The collection of twenty-five platinum/palladium prints on 16×20 cotton rag paper is divided into sections, each showcasing a different period in Cunningham’s lifelong career.

The portfolio highlights the diverse body of work that Imogen Cunningham created, from her pictorial portraits in the 1910’s to the dynamic tonality of flora in the 50’s. It demonstrates her belief in the ability of the camera to capture moments that are unseen by the naked eye, a concept that she began to experiment with in her photography.

The use of platinum/palladium printing processes in the portfolio gives the physical photographs a timeless print quality that characterizes this body of work. This archival process, perfected around the time of Cunningham’s birth in 1883, adds a layer of historical significance to the collection.

Gallery 270, representing distinguished photographers of the 20th Century and the emergent photographers of the 21st Century, places particular emphasis on modern emerging photographers employing traditional processes such as platinum/palladium, cyanotype, and gum bichromate. This allows for a more intimate engagement of the artist’s hand in the creation of the final prints.

In conclusion, “The Eye of Imogen Cunningham” portfolio offers a unique perspective on the evolution of one of the most accomplished photographers of the 20th Century. The collection’s use of platinum/palladium printing processes adds a timeless quality to the physical photographs, underscoring the historical significance of Cunningham’s work. Gallery 270’s focus on modern emerging photographers using traditional processes ensures that Imogen Cunningham’s legacy continues to inspire and influence new generations of artists.

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